2. . . getting to the stage of glazing and going well, starting to really see the person coming out of the picture: I tend to slow down at this stage (from a fairly slow pace anyway, so this is now nano-movement), a bit like when I'm close to finishing a book and I don't want it to end (again, something I'm doing at the moment too, with Vera Brittan's Testament of Youth, a sort of feminist version of Goodbye to All That)
Still not sure where I'm gong with this one, but it's an interesting journey so far . . .
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